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Briar Levit, a Historian of Forgotten Figures of Design Past

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Briar Levit, a Historian of Forgotten Figures of Design Past

 Briar Levit
Briar Levit

Briar Levit is a book designer, filmmaker, and former art director of Bitch magazine. She has taught graphic design for years, and is an associate professor of graphic design at Portland State University in Portland, Oregon. She directed the film Graphic Means about the phototype and paste-up period that acted as a transition between metal and digital production processes. That movie also delved into the way in which printing shops acted as gatekeepers to communication, and how women were severely underpaid during this period as they entered a previously nearly all-male industry.

With founder Louise Sandhaus, she and Brockett Horne are collaborating on fostering an amazing online gathering place, The People's Graphic Design Archive. And she's at work on Baseline Shift: Untold Stories of Women in Graphic Design History, a collection of essays due out later this year (not yet available for pre-order). We talk about all that

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When Doves Cry and Four Films

I’m happy to note five digital accessions to the Tiny Type Museum & Time Capsule. While the museums are largely focused on analog items, there are five digital items that I’ve arranged to include for their historic and informative value. A USB stick included in the museum will contain this items along with a number of public-domain films and books useful for further study.

A Tale of Betrayal and a Watery Type Grave

Robert Green became mildly obsessed with the beauty of the type cut for the Doves Press starting in 1899 and used for all its works. A many of many talents—a graphic designer, book restorer, type designer, and more, who received his master’s from the Royal College of Art—he wanted to take this extraordinary type and produce a digital version authentic to its roots.

The type is legendary, because of a dispute between